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“… paintings and drawings of surrealist inspiration, excellent in their formal perfection. »
Geneva Tribune
“A sensitive play of nuances and values, these pencil drawings offer a botanical and physiological universe. From serrations to roots, mysterious erotic and plant allusions are woven. »
Geneva Tribune
“Viviane Loutan is a very personal artist in her inspiration and her language. Beneath his light and subtle pencil emerges an evocative world of mysterious and secret charms, of delicious and bitter pleasures. The context is surreal but there is nothing provocative or aggressive. Between Tanguy and Bellmer, Viviane Loutan follows a route of her own. »
Geneva Tribune
"With a precise line that leaves nothing vague, right down to the most remote detail, Viviane Loutan draws and paints fantasies of germinating and growing organisms, ideas of tissues, unfolding inflorescences, branching fibers and veins. What is appealing is not so much the oddities of the invention as the certainty in the technique of the fine transitions from one form or color to the next."
The New Zurich Times
"This is a painter with high technical skills. She shows 24 drawings and oil paintings, revealing – with more or less slight sexualized allusions – things that only the microscope can see. However, macabre fantasy also plays a certain role. Viviane Loutan's drawings are very fine, almost chiseled, with details in fleshly or vegetable matter. Oil paintings are also admirable in terms of craftsmanship."
The act
« From the point of view of creative genius in invention, Loutan moves with repetition of very precise signs, recovers the natural-vegetal image, not as a slavish imitation of nature, but opens passages and all the creative forces that rise from within and ask to manifest and expand as forces of nature. In her tenuity, Loutan's painting is very thoughtful, very careful to maintain all the expression of her plastic, sensual feeling, of her gentle and loving contemplation of her, suspended in a sort of sweetness and freshness.
Cultural Council of the City of Urbino
“…drawings of an oppressive psychic inspiration, underpinned by a surrealist metaphysics, are produced with a very sure artistic quality. Master drawings…”
Daily Advertiser
“Very detailed drawings, with Stabilotone, which are bathed in an unreal climate. These compositions always include several characters, if we can call these bodies stretched like chewing gum, with ghostly hands, sometimes inflated like a balloon, sometimes thinned to the size of a thread. Above all, it is the faces that appeal, similar in each image, reduced to a sort of white square, which evokes the screen of a television or a computer. There is a desperate lack of a mouth to scream, eyes to cry. This unreal climate evokes that of Anna Blume, heroine of a novel by Paul Auster, lost in a world without a soul. A futuristic world that leaves little optimism for the reader or viewer. However, the shades that Viviane Loutan uses are soft, as is the treatment of the surfaces, covered with so many grease pencil lines that they become silky, it looks like a rain of golden hair draws shapes on pearly flesh. , to use tender and sensual metaphors. This patient and mastered technique, which recalls that used by Pierre Klossowski to produce drawings charged or rather "tense" with eroticism, therefore restores a softness to the absurd world depicted, as if the artist was trying to counter the unfortunate destiny of humanity. »
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